Packham Brighton Sussex UK. Bought for my OU course , its part of the required reading and reference. Even though its required its a superb book in its own right. The Art of the Renaissance World of Art. As a mature student studying Art History I found this book well set out and clear in its analysis of all Renaissance images and references.
There is little else to say except you can't have enough Renassance texts, especially for cross references and this one is exceptionally well written. Good Luck and hope you enjoy it Gwen Taylor. Ideal if you want a brief overview of the renaissance, either for personal interest or as a precis before studying the subject in depth. Art of Renaissance Venice, This series of Partridge's books get better and better.
I have used the Rome and Florence books for my classes students are 18 for a number of years and this Venice book is a welcome addition to the set.
Botticelli’s Birth of Venus
While the Rome book suffers from trying to deal with too wide a chronology in each chapter, the Florence and Venice studies follow a start to finish format that helps the reader navigate the Renaissance better. It is very useful to have Partridge's excellent interpretations of works such as the Venus Urbino in the Venice book. Moreover, as this painting is in the Uffizi in Florence, the Venice book works in tandem with the other books on this and many other levels. Partridge's writing is amazingly succinct yet sacrifices little in terms of social and contextual history, description, formal analysis and interpretation.
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High Renaissance Art and Architecture | TheArtStory
Place Type. Site Browse All. Artists were now able to create more lifelike forms with an atmospheric depth that was enhanced by their observation and understanding of natural light and shade. Peter ', Sistine Chapel fresco.
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- Renaissance Art | Keyword | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art?
- The Renaissance;
In the Early Renaissance, one aspect of naturalism in art was related to the problem of arranging the figures and buildings in a landscape to create the illusion of depth. A mathematical solution to this was discovered around by Leon Baptista Alberti and Filippo Brunelleschi when they developed the laws of linear perspective , one of the key innovations in Renaissance art. Perspective Drawing allowed artists to accurately portray the 3-dimensional world on a 2-dimensional surface from a fixed point of view.
Peter ', we can see how the receding lines of perspective, created by the courtyard grid, all converge at a vanishing point on the horizon, which is both the eye level of the artist and viewer and the center of their viewpoint. During the High Renaissance, Naturalism was more concerned with refining the form of the figure within an authentic looking background and combining these in a composition of harmonic proportions.
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The Ancient Greeks saw mathematics as the foundation of beauty and harmony and many Renaissance artists incorporated this concept into their compositions. The artist whose paintings best combine the key elements of High Renaissance art was Raphael. His style merged the intellectual rigour of Leonardo, the expressive power of Michelangelo and the noble forms of Classical sculpture to achieve what Vasari called 'the ultimate perfection' - a refined and dramatic harmony of the visual elements of art.
The Renaissance process of observing, recording and refining the naturalism of an image became the standard approach to drawing and painting for the next four hundred years. Italian Renaissance Art Naturalism.
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