Add more brushes by simply dragging in more items. Hold the Shift key down to remove or reposition items. Figure 1.
There are custom palettes provided for many of the projects in the following chapters. They can be downloaded to your hard drive from the website that supports this book. You can create a different custom palette for sketching, painting, working with photos, or for any specific project. Manage them with the Custom Palette Organizer , shown in Figure 1.
Give them descriptive names and save them using the Export command. Load them with the Import command. Your first assignment is to fill a blank canvas with scribbles and strokes, using the twelve brushes in a custom palette shown in Figure 1. Download this Painter 12 Sampler palette from the website that supports this book. Or just make it from scratch, using the following list.
Brushes are in alphabetical order by category, starting at the upper left of the palette. To help make something more pleasing to the eye, restrict yourself to one color or family of colors. A limited color palette tends to create visual harmony even with lots of variety in brush strokes, texture, and detail. You may change the saturation and brightness of the main color by clicking in the triangle of the Color panel, but stick with the same position on the Hue ring.
Consider grouping your scribbles to make a composition based on shapes or other variables. My sampler, shown in Figure 1. Each one uses only the variants for the corresponding row in the custom palette. By the time I got to the third row, I started to get the hang of it. The Impressionist variant is composed of a narrow spray of tear-drop shaped dabs, which follow the direction of your stroke. Increased pressure makes the dabs darker and larger.
Overlapping Impressionist strokes can make for very painterly effects. Like the other variants in the Artists category, the Impressionist brush is designed to imitate important techniques from art history. The Seurat brush is named after the French painter who invented the technique of pointillism, where tiny dots of color combine optically for the viewer. This brush sprays overlapping dots of variable hue and value brightness.
The Van Gogh variant also has built-in color variability.
Each stroke is composed of several thick bristles differing slightly in hue and more strongly in value. There is a random quality between strokes[md]no two strokes are exactly alike. This brush is most effective when short strokes are applied in different directions. The Sargent brush, a tribute to the portrait painter John Singer Sargent, has no color variation but does have a smeary quality that contributes to its creamy, luscious look. Explore other brush categories now, or any time, but be warned — some of them are exotic, to say the least.
Watercolor and Real Watercolor brushes require a special layer, created automatically when you use them. Liquid Ink is in a class and layer by itself. Here are some exercises for developing skill with the Wacom tablet. Use them as a warm-up before you begin a session, and to check whether you need to reset the Brush Tracker for your pressure and speed.
Do the exercises in the order given. If you save your practice canvasses, you can observe your progress from one session to another. Start with a new white canvas about 6 inches square at 72 ppi. Refer to Figure 1. Make a long mark at the angle natural for you. There is no width variation in this pen, just like its real-world counterpart. If you need too much pressure to get a strong line, use using a light touch.
Your second stroke should be parallel to the first and reasonably close to it. Add several more strokes the same distance apart. Go for accuracy the first few times, and then increase your speed. Next, use the Rotate Page tool and make another series of lines at right angles to the first set. After that, tilt the page so you can add lines at a 45 degree angle. You can probably guess the next step. Crosshatching skill comes in handy when you want to develop shading and volume in drawings.
Switch to the Dry Ink brush, which was used in your sampler painting. This EG is Americans' being studies toward motion over childhood.
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